Since the second half of the 20th century, the feminist movement has undertaken a progressive role in the fields of philosophy and art and established a wide range of motion. The multiplication of the meaning of the female body by female philosophers and artists has enabled the questioning of the concepts incidental to body. In the field of philosophy, Deleuze draws attention to it regarding leading up for women's capacities and its creative repercussions are monitored through art productions. The study, which is structured on this intellectual sub text, aims to get through the possibilities of artistic expression of the female body and to discuss its results by tracing how and for what reasons the female artists treat hair as an image in their performance and works. “Hair” which stretches out from mythology to contemporary art, transforms into an interesting means of expression with its different indicators and layers of metaphoric meaning, allowing it to oscillate through times and thus becomes an indicator that bears the knowledge of the female body between past and present. The study begins with the performance of Rebacca Horn and continues with the performances of Marina Abromovic, Mona Hatoum and Nezeket Ekici with the influence of hybrid cultures on their bodies, and expands by incorporating art which are focused on hair Keywords: Contemporary Art, Feminist Process, Performance,